Reviews of the Documentary 4 by Ebene String Quartet
In that location's a vivid answer to the old question: tin classical players swing, rock and let loose? The Ebene Quartet proves decisively that they tin and in their 2011 album Fiction they created an irresistibly seductive listening experience with an adventurous mix of jazz, pop and film music. From interpretations of The Beatles 'Come Together' to Bruce Springsteen'southward 'Streets of Philadelphia' and to the less obvious but very satisfying foray into the music of jazz legend Wayne Shorter ("Footprints" is the tune hither) these young masters of string music demonstrate conclusively that the jazz they play in their spare fourth dimension is summit drawer.
Their motivation: the feel of "a pseudo-reality of a string quartet that plays and improvises in order to regain the freedom that all classical musicians had in the past." This is ane glorious tape and it deserves a wide audience. Rock fans tin gain a new perspective on the music they beloved; devotees of ambient music tin rediscover the pleasures of melody, and classical listeners can rejoice in the cognition that their music has a futurity as exciting as any musical form.
The scorching and emotional music that came out of Le Quintette du Hot Society de France decades ago featured Django Reinhardt and Stephane Grapelli; they brought something new and vital to music, and The Ebene Quartet is working on achieving something very like, simply rather than bringing gypsy to jazz, they are bringing the intimacy of a string quartet flavored with swinging precision and inventive sonics. One-half the tracks on the album characteristic the dandy drumming of Richard Hery. Several vocalists make appearances too, among them the jazz singer Stacy Kent, Spanish pop singer Luz Casal and opera star Natalie Dessay, equally well as film icon Fanny Ardant.
The members of The Ebene Quartet are four astonishingly young Frenchmen: violinists Pierre Colombet and Gabriel le Magadure, cellist Raphael Merlin and violist Mathieu Herzog some years ago released a record of serious quartets which won Gramophone's Album of the twelvemonth. They were described at the fourth dimension by that illustrious magazine every bit 'giving the impression of having been born into this music, breathing its rarefied air and nevertheless making each work a unique, compelling listening experience." And they've done that once again with Fiction. They explain their ideology equally follows:
"As an ensemble nosotros try to be as broad in our repertoire choices as possible. Genres like pop and jazz are often overlooked by the classical world because classical music is and then intelligent, only when other musical genres are played really well they can too reveal treasures. This is why it is of import for the states to play jazz and other styles of music for a classical audience – because information technology introduces them to something new; and equally jazz and pop audiences tin can discover that classical instruments are capable of dissimilar sounds. Our jazz-playing too helps to inform our classical functioning. It enables us to wait at the score from a different perspective and to encounter classical music as a kind of improvisation. Nosotros like to be equally free equally possible in our operation and for every concert to exist slightly unlike."
From the swirling torchery of the opening track Misirlou the quartet takes command of all attention with its highly emotional playing. Ane heed to their haunting version of Calling You lot from the picture Bagdad Cafe and the listener is transported to an incendiary and unforgettable love affair. The quartet brings something genuinely new to this recording: the feeling of comfortless memory and loss is palpable. What follows is a recording of unequalled beauty: their version of Corcovado, which is as elegant and satisfying as that of Jackie and Roy, the jazz duo who recorded the definitive version of this song on their Verve album Lovesick many decades agone. The vocal has been covered innumerable times, and most often badly but because it is such a cute composition singers of all stripes have taken on this song and gotten away with desecration. Stacey Kent'south precise diction combined with her absurd emotion is backed past an expansive and inventive interpretation past the quartet and her delivery of this number is an artistic triumph.
The music of The Ebene Quartet contains strains and sounds from multiple genres; yeah, in that location is classical and gypsy and jazz and too (unacknowledged and to these ears unmistakable) the revolutionary rhythms of the Argentinian chief Astor Piazzolla. But there'southward also youthful exuberance and a sense of swell joy in every one of these pieces and some blistering solos that sound well, distinctly non-classical.
Highly recommended.
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Source: https://www.vivascene.com/essentials-the-ebene-quartet-fiction-album-reviewmusic-review/
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